Complimentary US shipping on all jewelry
Order by Tuesday, December 15 for Christmas.Shipping
Gift cards arrive by email, in minutes.Send one
Christmas Eve: gift cards arrive in minutes.Send one
Merry Christmas from the gallery in Sedona.Gift cards
Holiday sale: 20% to 30% off every piece.See the pieces
Open daily, 10 am to 6 pmOpen daily, 10 am to 6 pm
Est. 1977 · 89A & Jordan Rd, Uptown Sedona
The gallery is just over the hill.
Cathedral Rock, Bell Rock, Courthouse Butte, Coffee Pot Rock and Thunder Mountain
Reynold Begay · 0 pieces
Native American–made and Southwestern-style bracelets — the cuff above all — are the signature of Southwestern silverwork. The Humiovi has offered bracelets by Navajo, Zuni, and Hopi silversmiths, among others, since 1977: heavy sterling cuffs set with high-grade turquoise, delicate row bracelets, cluster and needlepoint work, and Hopi overlay. Where a cuff's maker is known, its product page names them. Explore turquoise, coral, spiny oyster, and white buffalo cuffs and link bracelets for men and women. Authenticity guaranteed for every piece we represent as Native American-made.
The open silver cuff is the defining form of Native American jewelry — sculptural, adjustable, and built to last generations. Our selection ranges from wide, deeply stamped silver cuffs anchored by a single museum-grade turquoise stone to refined row and cluster bracelets, Zuni needlepoint and petit-point, and crisp Hopi overlay. Link bracelets and bangles round out the collection for those who prefer a lighter wrist.
Turquoise from Kingman, Royston, Golden Hills, and other storied mines sits alongside spiny oyster, coral, and white buffalo. The Humiovi has worked with Native artisans and their families since 1977. Every piece we represent as Native American-made arrives with a Certificate of Authenticity, recording its materials, and its maker wherever known.
A cuff should hug the narrowest part of the wrist with the opening at the back; gently adjust only at the very ends, never the center. Keep turquoise away from perfume, lotion, and water, and store each piece separately to preserve the stone and the silver's patina.
Navajo silversmithing traces its origins to the 1860s and 1870s, when Atsidi Sani and other early practitioners adapted metalworking techniques learned from Spanish and Mexican plateros into a distinctly Dine artistic tradition. Through stamp work, repousse, sand casting, and tufa casting, Navajo silversmiths created an iconic design vocabulary — the squash blossom necklace, the concho belt, the ketoh — that remains the foundation of Southwestern jewelry artistry.
