The Keresan pueblo that gave the world the storyteller figurine — Cochiti artisans bring the same expressive clarity to elegant silver and stone.
Cochiti Pueblo · the Rio Grande below the Jemez MountainsCochiti Pueblo is a Keresan-speaking community on the Rio Grande, about 25 miles southwest of Santa Fe at the foot of the Jemez Mountains. Continuously inhabited since the thirteenth century, Cochiti has preserved strong cultural traditions through successive eras of Spanish, Mexican, and American rule, anchored to its river-valley fields and its ceremonial life.
Cochiti is celebrated above all for two art forms. The first is the renowned Cochiti drum, hollowed from cottonwood and headed with hide, long regarded as among the finest Native drums made and used across the pueblos for ceremony and song. The second is the storyteller pottery figurine — a seated figure covered with children, mouth open in song or story — created by the Cochiti potter Helen Cordero in 1964. Cordero's innovation, drawn from memories of her grandfather as a storyteller, transformed Pueblo figurative pottery and inspired makers across many pueblos; it is now recognized and collected worldwide.
The same expressive clarity and fine craftsmanship that distinguish Cochiti pottery and drums extend to the pueblo's jewelry, where artisans produce clean, elegant silverwork in a recognizably Cochiti idiom — restrained, well-proportioned, and finely finished.
Cochiti jewelry is marked by refined simplicity. Artisans favor clean silverwork with clear, well-balanced stampwork — pieces in which proportion and finish matter as much as ornament. Necklaces, bracelets, rings, and earrings are made with careful attention to line and form, in keeping with the disciplined Keresan aesthetic.
The pueblo's broader artistic identity, anchored by the storyteller figurine and the Cochiti drum, lends its work an expressive, human warmth. The sensibilities shared across Cochiti's art forms — the storyteller's animation, the drum's pure geometry — give its silverwork a distinctive character within the wider Puebloan tradition.
Turquoise and other stones appear in Cochiti work, typically in service of a primarily silver-focused, elegantly understated aesthetic. Heishi and bead work, common across the Rio Grande pueblos, also have a place in the Cochiti repertoire.
At Cochiti, the storyteller figurine is more than a famous art form — it embodies the central place of oral tradition in pueblo life, of elders passing knowledge to gathered children. That value of transmission across generations also describes how the pueblo's crafts themselves are taught and kept alive, from the carving of a drum to the setting of a stone.
As a Keresan pueblo on the Rio Grande, Cochiti maintains ceremonial and agricultural traditions tied closely to the river and the land. Its artists work within this living culture rather than apart from it, and the pueblo guards its ceremonial life with care even as its pottery, drums, and jewelry reach a wide audience.
Humiovi presents Cochiti work with respect for the pueblo's remarkable artistic legacy and for the artisans who continue it today.
Cochiti silversmiths are known for precise stampwork and clean fabrication. Using hand-made steel dies, they impress crisp, legible patterns into sheet silver, building designs that are distinctly Cochiti in their restraint and balance, then oxidizing the recesses so the stamped pattern stands clear.
Sheet-silver fabrication, soldering, hand-drawn wire, and traditional stone setting round out the repertoire, with turquoise and other stones set in hand-cut bezels. Bead and heishi making, shared across the Rio Grande pueblos, also appear in Cochiti hands. The emphasis throughout is on fine finishing and proportion rather than density of ornament.
This disciplined, elegant approach reflects the same standards of craftsmanship that have earned Cochiti renown across its other art forms — the patience of the drum-maker and the eye of the storyteller carried to the silversmith's bench.
Authenticating Cochiti jewelry follows the standards of fine Puebloan silverwork: look for solid sterling, hand-cut bezels, crisp hand-stampwork, and genuine stone, all bearing the marks of true fabrication rather than casting or glued assembly. Natural turquoise should show real depth and matrix; ask whether it is natural or stabilized.
For the pueblo's signature crafts, authenticity has its own markers: a genuine Cochiti drum is hollowed cottonwood with a hide head and shows hand-work throughout, while an authentic storyteller figurine is hand-built and hand-painted, not slip-cast — the tradition Helen Cordero founded is carried on by makers who hand-form each figure.
Cochiti artisans are well represented at Santa Fe Indian Market and other juried shows, and many sign their work. The Indian Arts and Crafts Act of 1990 protects the authenticity of work sold as Cochiti-made. Each Cochiti piece at Humiovi is genuine, artist-made work and comes with a Certificate of Authenticity for you to keep. We are glad to discuss the maker and the tradition behind any piece.